November 06, 2007

MakeFive :: New website connecting people through opinions and preferences

Makefive_logo_homeMy friend, Eric Karjaluoto over at SmashLAB and ideasonideas wrote to me today announcing his new pet project MakeFive (honestly Eric... where do you find the time?) The site was launched yesterday and is based on a simple notion: share your opinions by ranking anything/everything and meet like minded individuals in the process.

After having browsed the new site I thought I'd post a little something here to give a bit of PR to the hard working folks at SmashLab but hmmm... how to I set a category for this post (or even multiple categories) without checking off everything from Art to Zebras? MakeFive has been created to accommodate nearly any subject you can imagine...including design related topics such as Most Influential designers of our time, Best design blogs, Best type families, Great books for entrepreneurs.

It can allow users to do so much:
- Learn about amazing new books
- Share their worst first-date experiences
- Opine on the most relevant news story of the year
- Document what things one wants to do before dying
- Find out about great restaurants they hadn't yet heard of

There is a lot of fun stuff here... one of my favorites is "What George W. Bush could do upon leaving office." My favorite answer : Take an English Class.

Visit MakeFive... and hey Eric, BTW... why do you call it MakeFive?

September 10, 2007

ALERT :: Email Scam Targets Artists and Artwork

Artists beware: Email scammers are slick! This is not something we didn't already know, right? However, I want to alert you to an email I received this morning in several of my art email accounts. This type of thing is quite common on the Internet but I want to alert those of you who might be unfamiliar so you don't get involved with this. The title of the email reads "ARTWORK WANTED". The message goes on to say:

Hello Seller, Good Day.. My name is Ade jo. I saw your artwork in the list address and am very much interested in buying your (artwork) I will like to know the actual amount of the art and i will prefer to pay with a cashier cheque/money order. And about the shipping I know a good shipping company that I am using that can come for the picking up ,kindly get back now with the price and if you have the picture send it to my mail box to see.Are you a private seller?Do you accept chasier cheque/money order as my method of payment? I will want you to email me back with your website and last offering price. Best Regards

This email has all the hallmarks of a scam. The email expresses interest in your artwork and requests jpg's of the work and your price for selling. The sender says he prefers to pay with a cashier cheque or money order...sounds pretty good, doesn't it? He also says that he knows a good shipping company.

Ok...here is how this works. The guy (or gal) sends you money via an international check but he/she overpays you. When you notify him that he has overpaid, he'll request that you send the overage fees to the shipper to cover costs. This, of course, you'll agree to do but not before you find out the international check they have sent you is bad. Now you've paid money from YOUR ACCOUNT to the shipper. TA DA... you've lost money, allowed a scammer to know your banking information and you might have lost the painting or piece of art as well.

Edward Winkleman has a post on this very subject entitled Art Scam?, with a good deal of informative comments from his readers reqarding this type of fraud. Some of Edward's readers have also listed websites where you can report this activity to authorities. I HIGHLY recommend that you read Edward's post .

There is also a website called Art Scams - Tips to Protect You which I also highly recommend reading. This website offers several tips and resources for protecting your interests.

I know several artists who have had great success in selling art work via the Internet so please don't let this discourage you...just know who you are dealing with and do some research on your part.

July 28, 2007

Art On Groton Bank

Come to the Left Bank...Groton's Left Bank: Art On Groton Bank's second summer event was a success! With almost 50 artists participating and a fine showing of public support, artists enjoyed a lovely summer day at the Thames River bank. A good deal of artwork was sold and according to one participant "This is a wonderful event. I sometimes spend $400 to enter a show, and do nowhere near as well... plus there is no hassle here - and everyone is so nice."

Artists enjoyed the relaxed atmosphere, French ambience and the ability to not only display art but also to work on the grounds if they so desired. Artist John W. Malenda says "I haven't done an outside show for about 10 years and I sold enough and made contacts to justify doing the remainder of the series. Please put me on the list for the August show."

Aogb_adamandkelsey_july21A recent addition to the AOGB was the welcome presence of recent Lyme Academy College of Fine Art grad student, Adam Peiffer and friend Kelsey. "What a painter." says AOGB organizer Audrey Heard, "I'm so happy he sold some pieces and he's coming back."

Summer festivals and art fairs are a great way for art lovers to view works from local and "up and coming artists" and to purchase some lovely pieces at reasonable prices. According to the Wall Street Journal "With [art] prices rising faster than ever, savvy collectors are shifting their strategies for nabbing deals." And one such way to nab a deal is by attending local events such as Art On Groton Bank.

Art on Groton Bank is a continuing festival of fine arts on the grounds of the Bill Memorial library. Upcoming events are August 18, and September 15 from 10 A.M. to 3 P.M. Painters, sculptors, graphic artists and photographers are invited to work on the property or to exhibit. Families and art lovers are invited to come and make a day of it by exploring the grounds, picnic in a lovely setting, watch an artist at work or purchase a beautiful original piece of art. Sponsors include The City of Groton, The Bill Memorial Library, The Art Guide and Dragonfly Blu Design.

Visit the website for additional info. www.artongrontonbank.com

March 14, 2007

Making Connections:: Today's Tools For the Artist/Gallery Toolbox and The Value of New Media

I write today in thoughtful reflection of a recent conversation I had with an associate who had questioned the value of the web, or "new media" as he called it. I have given quite a bit of thought as to the ways artists and galleries have traditionally marketed and networked themselves, and how today's artists and galleries are handling the "notions" of technology.

The art world has been a bit reluctant to jump on the Internet highway. This surprises me because, in my opinion, these same people are generally forward thinkers. Let's take one example from history. The Impressionists were considered to be a rather radical group. Their art reflected not historical, religious or military depictions but instead focused on a moment in time, everyday life. This was just madness! At just about the same time the Impressionists were hanging around Cafe Guerbois and painting Plein Air, a new technology was making waves on the scene...it was called photography.

Still in all, today many in the arts question, just as my associate did, the value of the new media. Several years ago (8 years in fact), when I told one of my college professors and a curator at a local museum that I was opening my own business writing and designing for art on the Internet...she replied "Why how pedestrian of you." That was the feeling 8 years ago. But do some surfing now and it will be no surprise that organizations such as MOMA, The Met, The Whitney, The Guggenheim, Christie's, Sotheby's and countless other museums and galleries all over the world have not only websites...but "state of the art" web sites. Do we still consider this as being pedestrian? Would these prestigious institutions and organizations be investing thousands of dollars into a venture that wasn't of value?

It's not just brushes, canvas, and an easel that are the required tools of the trade for today's artist. Galleries are finding that to run a successful business they need more than a landline telephone, print marketing, and monthly art openings. Let's examine some of today's tools of the art trade and their value.

The value of the art website: I've already addressed the countless art websites that abound on the Internet. They are of all shapes and sizes, some offering free memberships, paid memberships, information, art education, online portfolios, artist galleries, contact info, hours etc. The thing that makes a website of value is not necessarily the website in and of itself...but the target audience and how that website addresses the needs of its target audience. Sometimes the true value of a website is not in how many sales the site brings in, but how it stands as a form of customer support. Never underestimate the importance of customer support. The value of a commerce site is clear. Its value is in selling product successfully online. The value of an information based site is in disbursing timely information to the target audience. If you are an artist, update your site with new works. If a gallery or museum, provide upcoming exhibitions and events. Provide stickiness which keeps viewers coming back to check what's new and to stay abreast with the industry. Give serious thought to your target audience and what it is they need from you. I just received in my email an announcement of the Official Launch of FineArtAmerica. The newsletter states: FineArtAmerica.com is a FREE interactive website created specifically for the fine art industry. The site is designed to bring together artists, art galleries, and fine-art collectors from the United States and Canada! For artists and art galleries, FineArtAmerica.com provides an unprecedented opportunity for you to promote your artwork, advertise your events, and gain exposure to a national audience of fine-art collectors. What is its value? To provide a service to its target audience. Will it be successful? We'll see. I can tell you this...having a website acts as more of a value than not having one and if you don't have one you're not considered to be a serious contender in an extremely competitive industry!

Having a website isn't all you need. You need to market that website. It's an anomaly, but a website is a marketing tool that you need to market in order for it to reach its true value. Just having a website sitting out there doesn't guarantee a return on investment. I know of an talented artist who actually got very angry because she felt the computer and the introduction of "new media" was intruding on her studio life. She felt that it was causing her a great disservice because she just wanted to paint and not to concern herself with a computer. Furthermore, she didn't see the value of marketing her art. Ok...but I haven't heard of any new galleries featuring her work in the last year. From what I know she has almost completely fallen off the radar both online and off. A website takes care and feeding. Yes, you now have to answer email as well as the landline phone...but welcome to the new world of art marketing. To not deal with these things is to do yourself and your business a great disservice.

Why a blog can help your business: If having a website wasn't enough, now blogging has become an important element in art promotion. The beauty of the blog is its feeds. Like the news organizations that distribute breaking news immediately across media, a blog uses a feed to get your information out there immediately. No more waiting weeks or months for the search engines to find your website, a blog can "push" information to various readers, search engines, and indexes within seconds of your publishing it. Why is this important? Because of its immediacy and because of its circulation. And because there is a whole other target audience that reads blogs and is looking for the type of art you produce or represent. Additionally having another presence on the web that is updated frequently benefits your existing site (providing you have linked them together) and brings in new traffic.

Art marketing guru Alyson B. Stanfield reports: "Compared to the average Internet user, blog readers are significantly more likely to live in wealthier households, be younger and connect to the Web via high speed connections. Blog readers also visit nearly twice as many web pages as the Internet average, and they are much more likely to shop online."

The importance of the computer: Do I really need to address this? I believe it actually warrants discussion. Along with a website, email is a major business tool for staying connected. If you have a website you REALLY need to have an email so that people who visit your site can contact you. You could argue that you could just provide a phone number as contact info but if it's 2am and someone wants to inquire about your work, do you really want them to have to wait until the following day to call you? Chances are the sale will have cooled by the next day and you might have missed a sale. Even if you don't have a website you REALLY need to have email...and USE IT! Checking your email every 5 days and not responding to email you receive is a disaster. You'll miss opportunities and believe me if people have to hunt you down to get a email response from you...they won't do it. There are many other artists and art businesses who have email and are happy to respond to it.

Blogging, websites and email are also beneficial to those professionals who travel. I've often bragged that I can do my business from anywhere on the planet...it's pretty cool. I also know that because of new media I can go to Europe for a week or to NYC for 3 days and my business back in Connecticut isn't going to come to a stand still. I can access and respond to email from any computer; or from the plane, train or taxi and I can keep my clients updated by posting to my blog. I was even able to update an important client's website and meet several "first of the month deadlines" while on holiday vacation in Sweden.

You need to know how to use your computer and while I understand that artists just want to be artists and paint and sculpt and do those things that artists are compelled to do, some basic knowledge of the computer is necessary. Know the difference between an email address and a website address (honest to god...I know people who don't understand the difference.) Know how to open a jpg or PDF attachment and know how to send one. If you don't understand how to perform these basic operations, then my associate who questions the value of new media is on target because if you don't know how to use the technology, its value is nothing to you.

Why you need a cell phone: Let's face it. We are all on call. We live in a fast paced society and it's sad but true that we are working very long hours. Communication, connecting and contacts are important in any business. While I have written previously about ways to manage the onslot of communications incoming, the importance of a cell phone is just a given. (Not only for safety...I believe every man and women should have one, just in case.) Cell phones and Blackberries can really keep you organized and on target especially if you travel or are out of the studio/office often. Need the directions to that gallery in Northwest Connecticut? Have them delivered to your cell.

Clearly I feel pretty strongly about the value of technology for today's artists, galleries and art organizations. I'm passionate about it and passionate about what I do for a living and I can say that I've been supporting myself and my family for some time now because others also recognize the value of new media. It can be hard to place a value on graphic design, web design and art marketing, but to not do these things is to leave a huge vacuum that will quickly be filled by your competition. Brands, art, and businesses (and artists...as you know, you are running a business) take on personalities just as people do. Make sure the personality of your business is a good solid one and take advantage of all the technologies and opportunities out there. It will pay you back ten fold.

February 22, 2007

Making Connections at an Artist's Reception or Gallery Event

One of the greatest barriers to making connections at an art event is not attending the event.  This might sound incredible obvious, but many artists often resist the opportunity to attend a gallery opening or artist's reception because they have the feeling that they don't need to "get out there" to sell their work.  Art lovers and new collectors can sometimes be intimidated by the whole art scene.

The art world can keep a gal or guy busy almost every single night of the week.  And while that might be a bit much (you do have to spend some time working after all) it's my feeling that attending some of these events will pay off if not in selling your work... at least meeting some wonderful new people and keeping abreast of happenings in the industry.  Besides it's a lot of fun.

There are a couple of reasons why people don't attend these events.  A fear of the unknown. A lack of confidence.  Laziness.  Lack of concern.

Let's take the last reason first.  Let me be very clear about this...If you are an artist it is your job to be concerned.  Not just about the work happening in your studio but in events happening in your world. Just because it's not your reception doesn't give a valid reason for maintaining a low profile and not lending support to other artists and galleries. Want a lot of people at your next opening? Then go out and meet some nice people and show your support.  Attend the events to experience the new treads in art.  What did you like about the opening? Dislike about it? What aspects of that event can you apply to your own event?

"I've worked hard in my studio all day. I'm too tired to attend tonight's reception."  Get over it.  Get off the couch. There are many great publications, including the local newspapers, that list weekly or monthly events.  For starters, pick two events a month that really interest you.  Schedule them in your calendar and get excited about attending. Just like any other appointment or obligation, keep that calendar date and attend.  It's a date with yourself.  It's an evening to dress up, have some wine (just a little...we're not getting drunk at these events mind you) and view some great art.  After awhile I bet you'll find that just these two nights a month isn't enough. Soon you'll be making contacts and looking forward to seeing these same people again next week. If you are feeling a bit scared or unsure about attending alone at first, ask a friend to go with you.

A lack of confidence or a fear of the unknown can cause us to really procrastinate.  This is a human response and it might take some courage to take those first steps to familiarizing yourself with the social scene.  But realize this...while these events are indeed professional, they are also social.  There is no test at the end of the evening.  You only need to be yourself and bring along your love of art.  If you are afraid of saying something wrong or appearing foolish, just say hello, be friendly and listen a lot.  Asking people their opinions and be an active listener.

You'll notice that this post talks and refers often to "friends."  And really making connections is simply about making friends.  No pressure, no stress...these events are usually after work and people are relaxed and open.  Remember, first off...People do business with people they like.  People support and help people they like.  Be friendly, be yourself, wear a smile and you'll do great and be on your way to a richer happier artistic life. 

January 25, 2007

New Graphics for The Art Guide

The Art Guide webmaster (yours truly) has created two graphics for use on your website or blog. Please feel free to download either of these graphics (or both) and link to The Art Guide website at www.theartguide.com.

The Art Guide publishes a beautiful monthly print publication (in addition to the website) with art exhibitions, a calendar of events, articles, and resources for artists, galleries and collectors.

Support the Art Guide!

We'd love to hear from you at the Art Guide.

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January 15, 2007

Job and Artist Opportunities

Listings of jobs and artist opportunites from several arts organizations in Connecticut and New York:

Arts Council of Greater New Haven - Jobs
Arts Council of Greater New Haven - Events
NYFA Interactive - Jobs in the Arts
NYFA Interactive - Opportunities and Services for Artists
Northwest Connecticut Arts Council - Events
Greater Hartford Arts Council - Jobs
Greater Hartford Arts Council - Artist Resources

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ArtLOOK is

  • the blog from Lisa Mikulski and Dragonfly Blu Design. Specializing in graphic design, web and marketing for artists, galleries and art organizations. This blog discusses art, design, and their intersection.

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