September 10, 2007

ALERT :: Email Scam Targets Artists and Artwork

Artists beware: Email scammers are slick! This is not something we didn't already know, right? However, I want to alert you to an email I received this morning in several of my art email accounts. This type of thing is quite common on the Internet but I want to alert those of you who might be unfamiliar so you don't get involved with this. The title of the email reads "ARTWORK WANTED". The message goes on to say:

Hello Seller, Good Day.. My name is Ade jo. I saw your artwork in the list address and am very much interested in buying your (artwork) I will like to know the actual amount of the art and i will prefer to pay with a cashier cheque/money order. And about the shipping I know a good shipping company that I am using that can come for the picking up ,kindly get back now with the price and if you have the picture send it to my mail box to see.Are you a private seller?Do you accept chasier cheque/money order as my method of payment? I will want you to email me back with your website and last offering price. Best Regards

This email has all the hallmarks of a scam. The email expresses interest in your artwork and requests jpg's of the work and your price for selling. The sender says he prefers to pay with a cashier cheque or money order...sounds pretty good, doesn't it? He also says that he knows a good shipping company.

Ok...here is how this works. The guy (or gal) sends you money via an international check but he/she overpays you. When you notify him that he has overpaid, he'll request that you send the overage fees to the shipper to cover costs. This, of course, you'll agree to do but not before you find out the international check they have sent you is bad. Now you've paid money from YOUR ACCOUNT to the shipper. TA DA... you've lost money, allowed a scammer to know your banking information and you might have lost the painting or piece of art as well.

Edward Winkleman has a post on this very subject entitled Art Scam?, with a good deal of informative comments from his readers reqarding this type of fraud. Some of Edward's readers have also listed websites where you can report this activity to authorities. I HIGHLY recommend that you read Edward's post .

There is also a website called Art Scams - Tips to Protect You which I also highly recommend reading. This website offers several tips and resources for protecting your interests.

I know several artists who have had great success in selling art work via the Internet so please don't let this discourage you...just know who you are dealing with and do some research on your part.

September 06, 2007

Dave Werner :: Inspiring, amazing, creative

Whew! After nearly 4 weeks of non stop 16-18 hour days working on client accounts, I'm back to blogging (I hope.) I had planned on writing something of value over the weekend for my readers here at ArtLOOK, but having just seen the site I'm about to share with you....well, a look at this guy's creative portfolio is worth more than any of the words I could write.

Amazing, creative, inspirational...this 25 year old designer is truly a brilliant mind and seems to be a pretty darn nice guy to boot. Things that I especially loved were Impact, Reflect/Respect, and the Mondavi wine bottles. Dave Werner just makes me want to work harder, learn more, read more, see better...

Please check out Dave Werner's Portfolio.

Davewerner_sc

August 02, 2007

Mind On France :: Photography so French you'll want to jump into the scene

Beautiful. Last night I received a lovely email from Leslee Carsewell. She had just found my website (not sure which of my sites she was referring to but ok..) and wrote to me to introduce herself and provide some tips on upcoming exhibits she thought might be of interest to me. She explained that she is a "recovering graphic designer" (which made me smile) and that she has now delved into fine art photography. She invited me to visit her website, perhaps make a comment here or there if I so desired and she asked nothing more. The fact that she asked for nothing more and the fact that her photography is absolutely gorgeous prompted me to write a post today inviting all of you ArtLOOK readers to visit Leslee's site Mind On France.

Dscn24381Now, being in love with most things French I must say some of Carsewell's photos are so "French" they made me want to jump into the photo to experience the scene for myself. Regardless if you love France or not, her photos are worth a look. Lovely scenes of farmlands, eggs and strawberries and veggies at market, doors (how I do love a good door photo) water scenes and little vignettes. You can purchase an 8x10 or 11x14 photo and she also offers giclee prints.

Having said this I'd like to put a little note here to those of you who have asked me about blogging and how to market yourself and introduce yourself on the blogosphere. Leslee did it the right way. She wrote a lovely email, just making friends, she had something to say, something to offer and she has an excellent site. There ya go...she got my attention. Thanks Leslee!

June 28, 2007

Charlestown Gallery New Website

Charlestown_scDave Gilly Gilstein and Renee O'Gara are lovely. Talented in their own right as artists, designers and photographers, their Rhode Island gallery reflects their fine eye for art that embraces abstract work, landscape, seascape and photography. This summer will see several openings and exhibits at the gallery. Artists include David k. Anderson, Jeanne Tangney, Antonia Tyz Peeples, Burl
Dawson, H. Gray park IV, Joseph Keiffer.

Check the Charlestown Gallery's brand new website for openings and shows, an extensive artist portfolio and contact information.

May 24, 2007

Call For Artists :: Art On Groton Bank

Artisthands_working_xsmall_2The Bill Memorial Library and the City of Groton are sponsoring Art on Groton Bank, a continuing festival of fine arts on the grounds of the library on June 16, July 21, August 18, and September 15 from 10 A.M. to 3 P.M.

We are thinking Paris, of the stalls along the Seine, the artists’ work lined against the walls on the Left Bank. We are bringing the sense of that greatest of art cities to Groton Bank.

Time is getting close. The committee has walked the grounds of the enchanting Bill Memorial Library to lay out the sites along the fences, and in the middle of the Great Lawn.

Artists are invited to set up at 7 a.m. and exhibit until 3 p.m. A $20.00 fee will cover the cost of a site of approximately 100 square feet per event.

If artists would like to paint the beautiful vistas on and around the library grounds during the show, it would be a wonderful diversion for visitors, who love to watch artists create. Often, the visitor will say “Combien?” and a sale is made. Painters are not required to paint, but it is a great opportunity. And fun!

SIGN UP TODAY!

May 08, 2007

Copyright Law :: Protected or Not (Part 2)

As a follow up to yesterday's post on Copyright Law, I went back to the WIPO website and found the following disclaimer on the front page of the WIPO website copyright section:

The attention of the Secretariat of WIPO has been drawn to the fact that certain organizations issue certificates purporting to grant copyright protection. It should be noted that these certificates do not create any right.  The Secretariat recalls that, by virtue of the Berne Convention for the Protection of Literary and Artistic Works, works are protected without any formality in all the countries party to that Convention. This means that international copyright protection is automatic, it exists as soon as a work is created, and this principle applies in all the countries party to the Berne Convention.

Contracting parties of the Berne Convention include (in part):  USA, Canada, Mexico, UK, Sweden, Norway, Denmark, Finland, Netherlands, Germany, France, Italy, Iceland, Spain, Greece, Belgium, Poland, Czech Rep., Russian Rep., Australia, Austria, India, China, Israel, Central African Rep., and many others..

May 07, 2007

Copyright Law :: Protected or Not?

Copyright Law is indeed a slippery slope.  Over at Vitamin, Stephan Nipper, writes on March 2nd, 2007 a post entitled Copyright: Get to know the Facts but having read the article I really must ask Attorney Nipper what exactly are the facts please?  According to Attorney Nipper, his article encourages the purchase of US copyright registration (at $45/a pop) in order to avoid

"...a common misconception about copyright law that still exists today, some thirty years later. This misconception often serves as a trap that many a copyright owner, including web developers and designers, unknowingly falls for. What is it? Its the belief that “a copyright owner does not have to file a copyright application to protect its works…rather, copyright protection forms when the works are created.”

While technically true (copyright protection begins at the ‘publication’ of the work), taking a “I don’t need to file copyright applications” attitude can often come back to haunt you. The reason for this, under the US Copyright Act, is that registration of the copyright within ninety (90) days of publication (or before infringement takes place) is necessary to enable the copyright owner to receive what are referred to as “statutory damages.”

I would first like to point out that Mr. Nipper is incorrect when he states that copyright in a work is created at ‘publication.’ The current U.S. law creates a copyright when a work is fixed in a tangible form of expression. US Copyright Office states the following:

When is my work protected?
Your work is under copyright protection the moment it is created and fixed in a tangible form that it is perceptible either directly or with the aid of a machine or device.

Do I have to register with your office to be protected?
No. In general, registration is voluntary. Copyright exists from the moment the work is created. You will have to register, however, if you wish to bring a lawsuit for infringement of a U.S. work.

Why should I register my work if copyright protection is automatic?
Registration is recommended for a number of reasons. Many choose to register their works because they wish to have the facts of their copyright on the public record and have a certificate of registration. Registered works may be eligible for statutory damages and attorney's fees in successful litigation. Finally, if registration occurs within 5 years of publication, it is considered prima facie evidence in a court of law.

Houston We Have a Problem!
So from what I read of all this is... that copyright is indeed bestowed upon a work at its creation BUT in order to ACTUALLY be protected in a court of law (which is frankly in my eyes the whole point of copyright protection) for statutory rights and attorneys fees, that work MUST be registered.  Therefore to ensure compliance with these laws all artists, writers, developers etc MUST REGISTER each piece of work or you're screwed. That means each photograph, each website, each graphic, each illustration, painting or sculpture.  Are you kidding me?

So if Jane the Artist creates a masterpiece for which she hasn't registered a copyright and the masterpiece is sold to a collector, that collector/buyer could conceivably go forth and reproduce that masterpiece into coffee mugs, tshirts, greeting cards etc...make a fortune and Jane the Artist has NO LEGAL STANDING??

Additionally Attorney Nipper points out:

Finally, web developers should remember that in the US the author of the work is the owner of the work unless the author has assigned his/her rights in writing, has a duty to do so based upon an employment agreement, or the work is one of the few other “works for hire” exceptions.

(Please see ArtLOOK's May 13, 2006 post on Work for Hire Situations and why it's a bad idea for creative freelancers.)

Mr. Nippers article and the info at the US copyright office therefore begs the questions... does a artist or creative own a work upon creation or not? Is it 90 days or 5 years? And if a work is being stolen or misused, does that creator have protection and rights under US copyright law and/or WIPO and/or the Berne Convention or not?  If not, what is the point of bestowing copyright upon creation in the first place, and who then is really benefiting from the registration process?  If these questions can not be answered clearly then we have some mighty big problems folks and I'm going to have to go and re-mortgage my house in order to protect my rights! (of course it might be too late according to the 90 day time limit...for heaven's sake)

WIPO - World Intellectual Property Organization
Now I am not an attorney.  I am simply a designer who wishes to figure this all out. I encourage you to all read Mr. Nipper's article as well as the comments made by numerous designers, artists, writers and EU visitors all questioning such things as "I've created 100's of sites/layouts/articles/paintings or illustrations and registering each one is going to get expensive."  and how does Creative Commons work into all this.  Many EU visitors also wished additional information regarding intellectual property in their countries.  I have done a little bit of research and have provided links below which will direct readers to information regarding US copyright law, WIPO, Creative Commons and other resources.

Continue reading "Copyright Law :: Protected or Not?" »

March 14, 2007

Making Connections:: Today's Tools For the Artist/Gallery Toolbox and The Value of New Media

I write today in thoughtful reflection of a recent conversation I had with an associate who had questioned the value of the web, or "new media" as he called it. I have given quite a bit of thought as to the ways artists and galleries have traditionally marketed and networked themselves, and how today's artists and galleries are handling the "notions" of technology.

The art world has been a bit reluctant to jump on the Internet highway. This surprises me because, in my opinion, these same people are generally forward thinkers. Let's take one example from history. The Impressionists were considered to be a rather radical group. Their art reflected not historical, religious or military depictions but instead focused on a moment in time, everyday life. This was just madness! At just about the same time the Impressionists were hanging around Cafe Guerbois and painting Plein Air, a new technology was making waves on the scene...it was called photography.

Still in all, today many in the arts question, just as my associate did, the value of the new media. Several years ago (8 years in fact), when I told one of my college professors and a curator at a local museum that I was opening my own business writing and designing for art on the Internet...she replied "Why how pedestrian of you." That was the feeling 8 years ago. But do some surfing now and it will be no surprise that organizations such as MOMA, The Met, The Whitney, The Guggenheim, Christie's, Sotheby's and countless other museums and galleries all over the world have not only websites...but "state of the art" web sites. Do we still consider this as being pedestrian? Would these prestigious institutions and organizations be investing thousands of dollars into a venture that wasn't of value?

It's not just brushes, canvas, and an easel that are the required tools of the trade for today's artist. Galleries are finding that to run a successful business they need more than a landline telephone, print marketing, and monthly art openings. Let's examine some of today's tools of the art trade and their value.

The value of the art website: I've already addressed the countless art websites that abound on the Internet. They are of all shapes and sizes, some offering free memberships, paid memberships, information, art education, online portfolios, artist galleries, contact info, hours etc. The thing that makes a website of value is not necessarily the website in and of itself...but the target audience and how that website addresses the needs of its target audience. Sometimes the true value of a website is not in how many sales the site brings in, but how it stands as a form of customer support. Never underestimate the importance of customer support. The value of a commerce site is clear. Its value is in selling product successfully online. The value of an information based site is in disbursing timely information to the target audience. If you are an artist, update your site with new works. If a gallery or museum, provide upcoming exhibitions and events. Provide stickiness which keeps viewers coming back to check what's new and to stay abreast with the industry. Give serious thought to your target audience and what it is they need from you. I just received in my email an announcement of the Official Launch of FineArtAmerica. The newsletter states: FineArtAmerica.com is a FREE interactive website created specifically for the fine art industry. The site is designed to bring together artists, art galleries, and fine-art collectors from the United States and Canada! For artists and art galleries, FineArtAmerica.com provides an unprecedented opportunity for you to promote your artwork, advertise your events, and gain exposure to a national audience of fine-art collectors. What is its value? To provide a service to its target audience. Will it be successful? We'll see. I can tell you this...having a website acts as more of a value than not having one and if you don't have one you're not considered to be a serious contender in an extremely competitive industry!

Having a website isn't all you need. You need to market that website. It's an anomaly, but a website is a marketing tool that you need to market in order for it to reach its true value. Just having a website sitting out there doesn't guarantee a return on investment. I know of an talented artist who actually got very angry because she felt the computer and the introduction of "new media" was intruding on her studio life. She felt that it was causing her a great disservice because she just wanted to paint and not to concern herself with a computer. Furthermore, she didn't see the value of marketing her art. Ok...but I haven't heard of any new galleries featuring her work in the last year. From what I know she has almost completely fallen off the radar both online and off. A website takes care and feeding. Yes, you now have to answer email as well as the landline phone...but welcome to the new world of art marketing. To not deal with these things is to do yourself and your business a great disservice.

Why a blog can help your business: If having a website wasn't enough, now blogging has become an important element in art promotion. The beauty of the blog is its feeds. Like the news organizations that distribute breaking news immediately across media, a blog uses a feed to get your information out there immediately. No more waiting weeks or months for the search engines to find your website, a blog can "push" information to various readers, search engines, and indexes within seconds of your publishing it. Why is this important? Because of its immediacy and because of its circulation. And because there is a whole other target audience that reads blogs and is looking for the type of art you produce or represent. Additionally having another presence on the web that is updated frequently benefits your existing site (providing you have linked them together) and brings in new traffic.

Art marketing guru Alyson B. Stanfield reports: "Compared to the average Internet user, blog readers are significantly more likely to live in wealthier households, be younger and connect to the Web via high speed connections. Blog readers also visit nearly twice as many web pages as the Internet average, and they are much more likely to shop online."

The importance of the computer: Do I really need to address this? I believe it actually warrants discussion. Along with a website, email is a major business tool for staying connected. If you have a website you REALLY need to have an email so that people who visit your site can contact you. You could argue that you could just provide a phone number as contact info but if it's 2am and someone wants to inquire about your work, do you really want them to have to wait until the following day to call you? Chances are the sale will have cooled by the next day and you might have missed a sale. Even if you don't have a website you REALLY need to have email...and USE IT! Checking your email every 5 days and not responding to email you receive is a disaster. You'll miss opportunities and believe me if people have to hunt you down to get a email response from you...they won't do it. There are many other artists and art businesses who have email and are happy to respond to it.

Blogging, websites and email are also beneficial to those professionals who travel. I've often bragged that I can do my business from anywhere on the planet...it's pretty cool. I also know that because of new media I can go to Europe for a week or to NYC for 3 days and my business back in Connecticut isn't going to come to a stand still. I can access and respond to email from any computer; or from the plane, train or taxi and I can keep my clients updated by posting to my blog. I was even able to update an important client's website and meet several "first of the month deadlines" while on holiday vacation in Sweden.

You need to know how to use your computer and while I understand that artists just want to be artists and paint and sculpt and do those things that artists are compelled to do, some basic knowledge of the computer is necessary. Know the difference between an email address and a website address (honest to god...I know people who don't understand the difference.) Know how to open a jpg or PDF attachment and know how to send one. If you don't understand how to perform these basic operations, then my associate who questions the value of new media is on target because if you don't know how to use the technology, its value is nothing to you.

Why you need a cell phone: Let's face it. We are all on call. We live in a fast paced society and it's sad but true that we are working very long hours. Communication, connecting and contacts are important in any business. While I have written previously about ways to manage the onslot of communications incoming, the importance of a cell phone is just a given. (Not only for safety...I believe every man and women should have one, just in case.) Cell phones and Blackberries can really keep you organized and on target especially if you travel or are out of the studio/office often. Need the directions to that gallery in Northwest Connecticut? Have them delivered to your cell.

Clearly I feel pretty strongly about the value of technology for today's artists, galleries and art organizations. I'm passionate about it and passionate about what I do for a living and I can say that I've been supporting myself and my family for some time now because others also recognize the value of new media. It can be hard to place a value on graphic design, web design and art marketing, but to not do these things is to leave a huge vacuum that will quickly be filled by your competition. Brands, art, and businesses (and artists...as you know, you are running a business) take on personalities just as people do. Make sure the personality of your business is a good solid one and take advantage of all the technologies and opportunities out there. It will pay you back ten fold.

February 01, 2007

Review: Online Slideshow Creation for Photos and Artwork

I know I said I was going to be posting a series about making connections and I haven't forgotten that, I promise.  However, the last few days have found me researching different websites and programs in an attempt to find some tools to recommend to a few of my clients who are seeking the ability to create and show slideshows online.  I thought it might be useful to share here, at ArtLOOK, my findings.

Part of the requirements for the winning slideshow program is the ability to be able to:

  1. Share the slideshows with others via website/blog/email.
  2. Accept comments.
  3. Keep presentations private if desired.
  4. The ability for multiple people to access the slideshow to add images from any computer anywhere.
  5. I also want the ability to showcase these slides in a community setting thus improving and taking advantage of increased traffic to my client's sites and getting some additional marketing miles out on the www.

FilmLoop

In the past, I was pretty keen on Filmloop and spoke about it here and here and here. In accessing Filmloop again this week, I found they have made some impressive improvements in their interface and in the options offered. The new Filmloop Studio is very nice, works well and is easy to use.  Filmloop's forums and customer support is excellent. But...and this is a big issue...the advertisements are just too much! They are simply everywhere on the site, they are in the studio viewer, and in the loops and they have gotten beyond just merely intrusive. Additionally, some people may find them inappropriate.  Now I grant you Filmloop is free so I think we all understand the reason for the advertisements but the real downfall here is that Filmloop does not even offer a paid subscription to eliminate those ads.  That's a shame and perhaps one day Filmloop will offer such a subscription.

Photagious

So off I went in search for something new...something better.  I found Photagious. This is an online photo sharing and slideshow creation website and it looks pretty darn nice. They offer unlimited space, secure storage, NO ADs, great theme templates, customizable slideshows, ability to add video to your presentation, and password protection. You can order prints online. Photagious offers its members a personal page. Visitors can add comments and there is the ability to share presentations via blog/website/email. Updates to the slideshow show up in your blog or on your website immediately. You can customize colors, backgrounds and add music to your slideshow...lovely.  And it is not crappy canned music but actual stuff from your Itunes or mp3 collections. If you don't have mp3s on your hard drive the music offered by Photagious is also very nice. Another option which might be especially attractive for artists displaying their work is the "Zoom Spot" which allows a close up detailed examination of an area within the image. (There is an example of the Zoom Spot on the Klimt shoes image in the presentation below. Click the "x" to see.) Photagious is a paid service and the personal account is $3.95/month or get 2 months free if you pay for the year.  There is a professional version of Photagious at $10/month which offers more advanced options. You can try it out for 7 days free.

Here is my first Photagious Slideshow, customized and sized for sharing on a blog or website. Please push play. 

The above slideshow is a customizable template.  Photagious offers other amazing templates, but to my knowledge those are not fully customizable. For instance, options were not offered to resize and the HUGE presentation would not fit on this blog space.  I wrote to support at Photagious about this and some other questions. I received a prompt, friendly reply which answered my questions.  Regardless of the inability to resize these featured templates, look how lovely this would be on your website in a separate window. Check it out because I've chosen a travel theme and added some great sax jazz for you here.

Photobucket 

The other site I checked out was Photobucket. It was quite easy to use and the photos appear very crisp and clean. This is a free service and therefore has advertising on it but not nearly as "in your face" as the Filmloop service and I haven't thus far seen any half naked people in the ads.  Photobucket also offers a "Pro" account for $25/year which eliminates the ads and provides 5GB of space.  They have a limit on storage space on the free account but it's 1GB which is about 10,000 images.  I believe this to be ample. This service also offers the ability to share your slideshow via email/blog/website. I have to say...while Photobucket doesn't have the professional polish of Photagious, I had a lot of fun playing with the different themes. Photobucket also includes the Zoom Spot option like Photagious. There is the issue of the Photobucket logo, which can't be eliminated even with the paid account.

Cute hearts

Strip

Layered with captions

January 23, 2007

Making Connections in the Art World

Gitomer_blackbook When I was at the airport during Christmas holiday, I went into the bookstore to pick up something to read for the flight.  Being that I'm usually heading into or out of jet lag, I certainly didn't want something too loftly so I opted for a little black book entitled (of all things) Little Black Book of Connections, by Jeffrey Gitomer, 65 Assets for Networking Your Way to Rich Relationships. An easy and fun read yet full of great tips and reminders.

In the art industry we could go to a gallery opening or artist reception every night of the week...sometimes even 2 events a night if we wanted.  It's important to attend these functions, and for those artists out there I certainly hope that you are taking advantage of these opportunities to network and market yourself.  But sometimes it's also hard for some of us to screw up our courage and attend a gathering where we might not know anyone. Or perhaps you're thinking "I'm an artist not a social butterfly. I don't go to openings."   Well please think again.  It is extremely important to your career to be able to make connections and keep those connections.  It's important for your career (and frankly a part of your job) to get yourself "out there!"  Let's face it, there are times when you just have to get out of the studio and go meet with the people because it is the people who will be buying your work, and can help support you.  Besides...it's alot of fun.

Gallery openings are one thing but what about the other avenues open to us for networking... dinner out, lectures, workshops, concerts, wine tastings, ball games, the golf course.  Sometimes even just going out to the post office can be an opportunity to meet a new contact...you just never know.

Having rather enjoyed Gitomer's book, I thought I'd do a four part series of my own on making connections.  These next couple of posts will focus on different ways for artists to make connections, feel good about making those connections and perhaps even make some friends for life in the process.

My Photo

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