September 10, 2007

ALERT :: Email Scam Targets Artists and Artwork

Artists beware: Email scammers are slick! This is not something we didn't already know, right? However, I want to alert you to an email I received this morning in several of my art email accounts. This type of thing is quite common on the Internet but I want to alert those of you who might be unfamiliar so you don't get involved with this. The title of the email reads "ARTWORK WANTED". The message goes on to say:

Hello Seller, Good Day.. My name is Ade jo. I saw your artwork in the list address and am very much interested in buying your (artwork) I will like to know the actual amount of the art and i will prefer to pay with a cashier cheque/money order. And about the shipping I know a good shipping company that I am using that can come for the picking up ,kindly get back now with the price and if you have the picture send it to my mail box to see.Are you a private seller?Do you accept chasier cheque/money order as my method of payment? I will want you to email me back with your website and last offering price. Best Regards

This email has all the hallmarks of a scam. The email expresses interest in your artwork and requests jpg's of the work and your price for selling. The sender says he prefers to pay with a cashier cheque or money order...sounds pretty good, doesn't it? He also says that he knows a good shipping company.

Ok...here is how this works. The guy (or gal) sends you money via an international check but he/she overpays you. When you notify him that he has overpaid, he'll request that you send the overage fees to the shipper to cover costs. This, of course, you'll agree to do but not before you find out the international check they have sent you is bad. Now you've paid money from YOUR ACCOUNT to the shipper. TA DA... you've lost money, allowed a scammer to know your banking information and you might have lost the painting or piece of art as well.

Edward Winkleman has a post on this very subject entitled Art Scam?, with a good deal of informative comments from his readers reqarding this type of fraud. Some of Edward's readers have also listed websites where you can report this activity to authorities. I HIGHLY recommend that you read Edward's post .

There is also a website called Art Scams - Tips to Protect You which I also highly recommend reading. This website offers several tips and resources for protecting your interests.

I know several artists who have had great success in selling art work via the Internet so please don't let this discourage you...just know who you are dealing with and do some research on your part.

September 06, 2007

Dave Werner :: Inspiring, amazing, creative

Whew! After nearly 4 weeks of non stop 16-18 hour days working on client accounts, I'm back to blogging (I hope.) I had planned on writing something of value over the weekend for my readers here at ArtLOOK, but having just seen the site I'm about to share with you....well, a look at this guy's creative portfolio is worth more than any of the words I could write.

Amazing, creative, inspirational...this 25 year old designer is truly a brilliant mind and seems to be a pretty darn nice guy to boot. Things that I especially loved were Impact, Reflect/Respect, and the Mondavi wine bottles. Dave Werner just makes me want to work harder, learn more, read more, see better...

Please check out Dave Werner's Portfolio.

Davewerner_sc

August 04, 2007

Ad Design for Sculptor Gilbert V. Boro

Boro_ag_quarterpg_sept07_apHere is a recent ad created by Dragonfly Blu for the magnificent work of Sculptor Gilbert Boro. Photography by Rick Scanlan of the Sylvan Gallery.

To view more of Gil Boro's work visit his website or you can see his work in public places such as the Madison Sculpture Mile, Bee & Thistle Inn, or Wilbur & King. You can also, of course, visit the artist and his Sculpture Grounds in Old Lyme, CT. Mr. Boro will have an upcoming show in Great Neck NY. Additional photographs of his new work should be online soon...

Pictured here: maguette for Tres Gatos, Polished Steel

July 28, 2007

Seventeen New Sculptures Refresh The Sculpture Mile in Madison CT

MADISON CT-Half of the sculptures, in THE SCULPTURE MILE at Madison are new to the public. A total of 35 works created by nationally prominent artists opens this year’s exhibition. Among new names to Madison are: Gilbert Boro, Niki Ketchman, Irene Neal, Jonathan Waters—all from Connecticut, with Susan Griswold from New York and Andrew Logan from Pennsylvania.

Hollycroft_narcissus_padovanoThe exhibit now includes artsts 30 artists from nine states from Maine to NorthCarolina. Newcomer Gilbert Boro’s flaming red Tres Gatos is an attention-grabber that greets visitors to Madison as they approach Main Street. “Hopper” a found object work by Susan Griswold is reminscent of an old water tower. Greek inspired “Corinthian ,” a wire mesh piece is by Niki Ketchman. A granite monolith by Andrew Logan reflrects Manhattan’s atmosphere. Irene Neal’s work is a mass of color adorning the entrance wall of Scranton Library, while the dramatically sited steel works by Jonathan Waters sited before ancient Samson Rock changes throughout the day as the sun travels westward.

An unusual feature of the present exhibition is the inclusion of three works by Anthony Padovano, three-time Prix de Rome winner, is a trio of sculptures displaying his wide range of stylistic approaches; from the figurative to the abstract. “Narcissus,” a figurative piece made of white marble is an exquisitely carved reflection of the vain youth. Viewers will observe this artist’s broad talent by viewing the other two works: “Gestation” and “Wizard’s Watch.”

Irene Neal’s work is a mass of color adorning the entrance wall of Scranton Library, while the dramatically sited steel works by Jonathan Waters sited before ancient Samson Rock changes throughout the day as the sun travels westward.

The Sculpture Mile at Madison is an ongoing, annually refreshed exhibit that is open twenty-four hours a day, seven days a week. Docent-led guided tours are available every Saturday at 11am and leave from the Scranton Park Pavilion, next to Stop & Shop. Contact the Hollycroft Foundation at (860) 767-2624 for more information.

Pictured here: “Narcissus” by Anthony Padovano

May 24, 2007

Call For Artists :: Art On Groton Bank

Artisthands_working_xsmall_2The Bill Memorial Library and the City of Groton are sponsoring Art on Groton Bank, a continuing festival of fine arts on the grounds of the library on June 16, July 21, August 18, and September 15 from 10 A.M. to 3 P.M.

We are thinking Paris, of the stalls along the Seine, the artists’ work lined against the walls on the Left Bank. We are bringing the sense of that greatest of art cities to Groton Bank.

Time is getting close. The committee has walked the grounds of the enchanting Bill Memorial Library to lay out the sites along the fences, and in the middle of the Great Lawn.

Artists are invited to set up at 7 a.m. and exhibit until 3 p.m. A $20.00 fee will cover the cost of a site of approximately 100 square feet per event.

If artists would like to paint the beautiful vistas on and around the library grounds during the show, it would be a wonderful diversion for visitors, who love to watch artists create. Often, the visitor will say “Combien?” and a sale is made. Painters are not required to paint, but it is a great opportunity. And fun!

SIGN UP TODAY!

May 08, 2007

Copyright Law :: Protected or Not (Part 2)

As a follow up to yesterday's post on Copyright Law, I went back to the WIPO website and found the following disclaimer on the front page of the WIPO website copyright section:

The attention of the Secretariat of WIPO has been drawn to the fact that certain organizations issue certificates purporting to grant copyright protection. It should be noted that these certificates do not create any right.  The Secretariat recalls that, by virtue of the Berne Convention for the Protection of Literary and Artistic Works, works are protected without any formality in all the countries party to that Convention. This means that international copyright protection is automatic, it exists as soon as a work is created, and this principle applies in all the countries party to the Berne Convention.

Contracting parties of the Berne Convention include (in part):  USA, Canada, Mexico, UK, Sweden, Norway, Denmark, Finland, Netherlands, Germany, France, Italy, Iceland, Spain, Greece, Belgium, Poland, Czech Rep., Russian Rep., Australia, Austria, India, China, Israel, Central African Rep., and many others..

April 25, 2007

Sculptor Gilbert V Boro - New Website and Works

Atrii_buckinghamblue8_tn I'm happy to announce the new website for sculptor Gilbert Boro.  Gil's magnificent large scale work created in marble, wood, and steel is not to be missed. His series such as the Wave series, the Iliad series and British Museum series are suited to both private grounds and public settings.  Small pieces include Kyoto series, and furniture pieces. His new work After the Race series is seen to your left.  There are just too many exceptional works to showcase here so please visit the sculptor's website at www.gilbertboro.com.

Gilbert Boro is a sculptor, architect, educator and international design consultant. He was born in New York City and has been involved in the arts since his boyhood. This sculptor has had a distinguished career, spanning more than forty years and his work has been exhibited in numerous galleries and purchased by individuals, corporations and foundations.

Studio 80+Sculpture Grounds will be holding an open house on May 20th, Noon-4pm.
860.304.3359
80-1 Lyme St
Old Lyme, CT

March 14, 2007

Making Connections:: Today's Tools For the Artist/Gallery Toolbox and The Value of New Media

I write today in thoughtful reflection of a recent conversation I had with an associate who had questioned the value of the web, or "new media" as he called it. I have given quite a bit of thought as to the ways artists and galleries have traditionally marketed and networked themselves, and how today's artists and galleries are handling the "notions" of technology.

The art world has been a bit reluctant to jump on the Internet highway. This surprises me because, in my opinion, these same people are generally forward thinkers. Let's take one example from history. The Impressionists were considered to be a rather radical group. Their art reflected not historical, religious or military depictions but instead focused on a moment in time, everyday life. This was just madness! At just about the same time the Impressionists were hanging around Cafe Guerbois and painting Plein Air, a new technology was making waves on the scene...it was called photography.

Still in all, today many in the arts question, just as my associate did, the value of the new media. Several years ago (8 years in fact), when I told one of my college professors and a curator at a local museum that I was opening my own business writing and designing for art on the Internet...she replied "Why how pedestrian of you." That was the feeling 8 years ago. But do some surfing now and it will be no surprise that organizations such as MOMA, The Met, The Whitney, The Guggenheim, Christie's, Sotheby's and countless other museums and galleries all over the world have not only websites...but "state of the art" web sites. Do we still consider this as being pedestrian? Would these prestigious institutions and organizations be investing thousands of dollars into a venture that wasn't of value?

It's not just brushes, canvas, and an easel that are the required tools of the trade for today's artist. Galleries are finding that to run a successful business they need more than a landline telephone, print marketing, and monthly art openings. Let's examine some of today's tools of the art trade and their value.

The value of the art website: I've already addressed the countless art websites that abound on the Internet. They are of all shapes and sizes, some offering free memberships, paid memberships, information, art education, online portfolios, artist galleries, contact info, hours etc. The thing that makes a website of value is not necessarily the website in and of itself...but the target audience and how that website addresses the needs of its target audience. Sometimes the true value of a website is not in how many sales the site brings in, but how it stands as a form of customer support. Never underestimate the importance of customer support. The value of a commerce site is clear. Its value is in selling product successfully online. The value of an information based site is in disbursing timely information to the target audience. If you are an artist, update your site with new works. If a gallery or museum, provide upcoming exhibitions and events. Provide stickiness which keeps viewers coming back to check what's new and to stay abreast with the industry. Give serious thought to your target audience and what it is they need from you. I just received in my email an announcement of the Official Launch of FineArtAmerica. The newsletter states: FineArtAmerica.com is a FREE interactive website created specifically for the fine art industry. The site is designed to bring together artists, art galleries, and fine-art collectors from the United States and Canada! For artists and art galleries, FineArtAmerica.com provides an unprecedented opportunity for you to promote your artwork, advertise your events, and gain exposure to a national audience of fine-art collectors. What is its value? To provide a service to its target audience. Will it be successful? We'll see. I can tell you this...having a website acts as more of a value than not having one and if you don't have one you're not considered to be a serious contender in an extremely competitive industry!

Having a website isn't all you need. You need to market that website. It's an anomaly, but a website is a marketing tool that you need to market in order for it to reach its true value. Just having a website sitting out there doesn't guarantee a return on investment. I know of an talented artist who actually got very angry because she felt the computer and the introduction of "new media" was intruding on her studio life. She felt that it was causing her a great disservice because she just wanted to paint and not to concern herself with a computer. Furthermore, she didn't see the value of marketing her art. Ok...but I haven't heard of any new galleries featuring her work in the last year. From what I know she has almost completely fallen off the radar both online and off. A website takes care and feeding. Yes, you now have to answer email as well as the landline phone...but welcome to the new world of art marketing. To not deal with these things is to do yourself and your business a great disservice.

Why a blog can help your business: If having a website wasn't enough, now blogging has become an important element in art promotion. The beauty of the blog is its feeds. Like the news organizations that distribute breaking news immediately across media, a blog uses a feed to get your information out there immediately. No more waiting weeks or months for the search engines to find your website, a blog can "push" information to various readers, search engines, and indexes within seconds of your publishing it. Why is this important? Because of its immediacy and because of its circulation. And because there is a whole other target audience that reads blogs and is looking for the type of art you produce or represent. Additionally having another presence on the web that is updated frequently benefits your existing site (providing you have linked them together) and brings in new traffic.

Art marketing guru Alyson B. Stanfield reports: "Compared to the average Internet user, blog readers are significantly more likely to live in wealthier households, be younger and connect to the Web via high speed connections. Blog readers also visit nearly twice as many web pages as the Internet average, and they are much more likely to shop online."

The importance of the computer: Do I really need to address this? I believe it actually warrants discussion. Along with a website, email is a major business tool for staying connected. If you have a website you REALLY need to have an email so that people who visit your site can contact you. You could argue that you could just provide a phone number as contact info but if it's 2am and someone wants to inquire about your work, do you really want them to have to wait until the following day to call you? Chances are the sale will have cooled by the next day and you might have missed a sale. Even if you don't have a website you REALLY need to have email...and USE IT! Checking your email every 5 days and not responding to email you receive is a disaster. You'll miss opportunities and believe me if people have to hunt you down to get a email response from you...they won't do it. There are many other artists and art businesses who have email and are happy to respond to it.

Blogging, websites and email are also beneficial to those professionals who travel. I've often bragged that I can do my business from anywhere on the planet...it's pretty cool. I also know that because of new media I can go to Europe for a week or to NYC for 3 days and my business back in Connecticut isn't going to come to a stand still. I can access and respond to email from any computer; or from the plane, train or taxi and I can keep my clients updated by posting to my blog. I was even able to update an important client's website and meet several "first of the month deadlines" while on holiday vacation in Sweden.

You need to know how to use your computer and while I understand that artists just want to be artists and paint and sculpt and do those things that artists are compelled to do, some basic knowledge of the computer is necessary. Know the difference between an email address and a website address (honest to god...I know people who don't understand the difference.) Know how to open a jpg or PDF attachment and know how to send one. If you don't understand how to perform these basic operations, then my associate who questions the value of new media is on target because if you don't know how to use the technology, its value is nothing to you.

Why you need a cell phone: Let's face it. We are all on call. We live in a fast paced society and it's sad but true that we are working very long hours. Communication, connecting and contacts are important in any business. While I have written previously about ways to manage the onslot of communications incoming, the importance of a cell phone is just a given. (Not only for safety...I believe every man and women should have one, just in case.) Cell phones and Blackberries can really keep you organized and on target especially if you travel or are out of the studio/office often. Need the directions to that gallery in Northwest Connecticut? Have them delivered to your cell.

Clearly I feel pretty strongly about the value of technology for today's artists, galleries and art organizations. I'm passionate about it and passionate about what I do for a living and I can say that I've been supporting myself and my family for some time now because others also recognize the value of new media. It can be hard to place a value on graphic design, web design and art marketing, but to not do these things is to leave a huge vacuum that will quickly be filled by your competition. Brands, art, and businesses (and artists...as you know, you are running a business) take on personalities just as people do. Make sure the personality of your business is a good solid one and take advantage of all the technologies and opportunities out there. It will pay you back ten fold.

November 09, 2006

Gilbert V. Boro - Sculptor

BoroWelcome Gil Boro, Sculptor. Gil's work takes my breath away and it is a pleasure to be working with him. As one of those art lovers who needs to touch something before being able to really experience it, I smiled when reading his statement (writing statements is not a practice Gil embraces) that reads in part "I seldom read 'artist's statements.' They do not seem to bear much resemblance or relevance to the artist's actual work, which for me evokes a sensory rather than an intellectual response."

Gilbert Boro is a sculptor, architect, educator and international design consultant. He was born in New York City and has been involved in the arts since his boyhood. He has had a distinguished career, spanning more than forty years. He has received two traveling fellowships and had numerous visiting teaching positions, and has invested much of his time in nonprofit arts groups.

Mr. Boro's work has been exhibited in numerous galleries and purchased by individuals, corporations and foundations in Chicago, IL; Carmel, CA; Brookline, MA; Lebanon, NH; Brockton, MA; Rutland, VT; Denver, CO; Newton, MA, Peakview, CO; Naples, FL; Boston, MA; San Diego, CA; Old Lyme, CT; and Monaco.

At present we only have a splash page up for Mr. Boro's website but construction is underway. You can access Gil's webpage from here or the righthand sidebar and also see samples of his work and read his bio/statement at lisamikulski.com

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